Wednesday, February 26, 2025

Weekly Insight #28: Choreographing Authenticity: The Deliberate Art of High-Impact Speaking

When Alex faced a high-stakes 3-minute introduction for a leadership role, he didn’t need more content—he needed to choreograph less. His journey reveals how to turn a generic “bio” into a mission-driven story that resonates. Here’s how to design your delivery for maximum impact, even under tight time constraints.



The Checklist: From Overload to Ownership

1. Find Your Core Message
✅ Ask: “If the audience remembers one thing, what should it be?”
  • For Alex, it was “My career is a quest for equitable access—here’s why that aligns with your mission.”
        Cut ruthlessly: Remove achievements that don’t serve your core message.

2. Structure Like a Story
Pivot from résumé to narrative:
  • Before: “I worked at X for 5 years, then Y for 3…”
  • After: “A client once told me [story]. That’s when I realized [mission] isn’t optional—it’s urgent.”
        Design pauses: Use silence to punctuate key points.

3. Refine Your Delivery
Record, listen, refine:
  • First take: Speak naturally.
  • Second take: Trim tangents, warm up your tone.
        ✅ Control tempo: If it feels slow to you, it’s likely perfect for listeners.

4. Practice with Purpose

✅ Rehearse in motion: Stand, walk, or face a mirror to avoid stiffness.
✅ Own imperfection: Confidence beats memorization.

5. Final Test
✅ Mock presentation: Deliver to a trusted advisor (or your cat!).
✅ Ask: “Did I sound like I believe this—or just recite it?”



Alex’s Transformation: Less Data, More Fire

By focusing on 4 key moments instead of 40 data points, Alex turned his “bio” into a mission statement. His final speech:

  • Opened with a 15-second story about a client who changed his perspective.
  • Anchored in why the organization’s work aligned with his values.
  • Closed with a vision—not a résumé bullet.
The result? A panel that didn’t just hear his credentials—they felt his conviction.

Your Turn to Choreograph

A 3-minute speech isn’t about cramming in content—it’s about curating clarity. Use the checklist above to:
🔥 Cut the clutter.
🔥 Warm your tone.
🔥 Let pauses amplify your points.

Remember: Authenticity isn’t accidental. It’s rehearsed, refined, and choreographed.


Key Takeaways

  • Your voice is your best editor. Recordings reveal robotic pacing or flat tone.
  • Silence is strategic. Pauses > filler words.
  • Belief beats bullet points. If you don’t sound like you mean it, why should they care?

#ChoreographingAuthenticity #HighImpactSpeaking #LeadershipStorytelling #DevelopingYourAuthenticVoice #DYAVWithElias




📸 A moment of intentionality from Die Fledermaus—where every gesture, note, and breath is choreographed to connect.

Wednesday, February 19, 2025

Weekly Insight #27: The Art of Staying Out of the Box—Why Innovation Demands Letting Go

We’re told to “think outside the box,” but the real work begins when we refuse to climb back in.

Why do we hold onto outdated habits, even after breaking free? Because stepping out is uncomfortable. Familiar patterns feel safe—even when they limit us.

In Weekly Insight #25, we explored listening to ourselves objectively, recognizing that the way we perceive our voice isn’t always how others hear it. In Weekly Insight #26, we looked at stepping into the moment fully, rather than overanalyzing or hesitating.

This week, we take it a step further: How do we stay outside the box long enough to grow?

Here’s how two professionals—a singer and a leader—mastered the art of staying out.


Case Study #1: The Singer Who Let Go of Control

The Challenge

Maria, an accomplished classical singer, had trained for years with impeccable technique. Yet in high-stakes performances, she overthought every phrase, doubted her breath control, and fixated on mistakes before they happened.

Instead of flowing through the music, she became trapped in technical perfectionism, losing the expressive quality that made her voice unique.

The Solution

Maria focused on two key shifts:

  • Trusting Preparation – Her body already knew what to do. She had rehearsed. She had trained. The problem wasn’t skill—it was trust.
  • Reframing Mindset with Stoic Philosophy – Inspired by Marcus Aurelius’ idea that “We are disturbed not by things, but by the view we take of them,” Maria replaced “What if I mess up?” with “What if I allow myself to be fully present?”

The Outcome

By relinquishing control and shifting from perfection to presence, Maria’s performances became more emotionally compelling and authentic. The audience didn’t respond to flawlessness—they responded to her ability to connect.

“I realized my voice wasn’t failing me—I was failing to trust it.” —Maria


Case Study #2: The Leader Who Overcame Negative Mind Chatter

The Challenge

John, a mid-level executive, struggled with self-doubt during virtual meetings.

  • He overexplained his points.
  • He self-corrected mid-sentence.
  • He rambled because he was overanalyzing his performance in real-time.

John wasn’t lacking knowledge—he was trapped in Prolix Syndrome and negative mind chatter, believing that filling space with words equaled leadership.

The Solution

John applied three key strategies:

  • Breath & Vocal Focus – He practiced breath pacing to stay grounded instead of rushing his thoughts.
  • Mindfulness & Stoic Reframing – Instead of thinking, "What if I mess up?", he told himself, "I’ve prepared. Now I focus on delivering."
  • Using a Structured Approach – He followed a point-example-summary framework to keep his communication concise and intentional.

The Outcome

By staying in the moment and trusting his preparation, John’s virtual meetings became clearer, more engaging, and more effective. His team responded not to how much he said, but to the confidence behind his words.


What Connects Maria and John?

Both had to confront the illusion of control.

Maria’s technical perfectionism and John’s over-explaining were safety nets—boxes they had outgrown but kept climbing back into.

Their breakthroughs came not from learning new skills, but from trusting the ones they already had.


Burning the Box: The Three-Step Shift

Growth isn’t about thinking outside the box—it’s about burning the box altogether.

Maria and John didn’t just step out; they stayed out by:

🔥 Trusting their preparation (not micromanaging it)
🔥 Replacing “What if I fail?” with “What if I succeed?”
🔥 Treating the present moment as their only stage


Your Turn: Step Out, Stay Out

🗣️ What’s your “box”? Is it perfectionism? Overthinking? Fear of silence?
💡 Name it, then try Maria and John’s reframes this week. Share your insight below—I’ll respond to every comment!



A final bow is more than an ending—it’s the culmination of trust, presence, and stepping fully into the moment.

At La Traviata in Biarritz, every performer, every voice, every movement came together in a seamless story. But before this moment, there was a choice: to step beyond doubt, beyond hesitation, and commit completely to the performance.

Just like in leadership and communication, growth isn’t just about thinking outside the box—it’s about staying out. Trust the preparation, let go of overanalysis, and step into the moment fully.

#DevelopingYourAuthenticVoice #DYAVWithElias #Leadership #MindfulCommunication
#TrustTheProcess #BurnTheBox #InnovationMindset
#PerformancePsychology #ExecutiveCoaching #StoicLeadership #NoBox

P.S. If you’re viewing this on a mobile device and don’t see the ‘Subscribe for Updates’ option, switch to the web version at the bottom of the page. 🔗

Wednesday, February 12, 2025

Weekly Insight #26: Six Months of Voice Discovery—Word,Tone, and Breath in Action

For the past six months, we’ve explored the nuances of voice—how breath, intention, and awareness shape not only how we sound, but how we are heard. At the heart of it all is the interplay between word, tone, and breath, as summed up in this powerful quote from voice pedagogue Giovanni Battista Lamperti:


"The word is everything. The tone gives life to the word. The breath is the soul."


Lamperti, known for his book Vocal Wisdom, emphasized that singing—and by extension, speaking—is not just about producing sound but about aligning mental intention, physical coordination, and expressive delivery.


Voice isn’t just a sound; it’s a living expression of thought, emotion, and will. And whether in speech or singing, we don’t just produce sound—we shape it with intent.

This week, as we mark six months of insights, we’re pulling together the key themes we’ve explored and looking at how they connect through the lens of mental preparation, embodied awareness, and emotional agility.


The Mind Shapes the Voice

I can still hear the great singer/teacher Margaret Harshaw's voice reminding me in our precious lessons:

"Singing is 95% mental. You will the voice to do what you wish it to do."

That idea extends beyond performance. In both speaking and singing, we will the voice to do what we choose before a single sound is made. When we think of a phrase—its meaning, its emotional weight—we are already shaping the voice’s trajectory.


Breath fuels intention – We explored how breath control isn’t just about support but about emotional regulation, creating a steady foundation for clarity.


The body follows the mind – Whether adjusting pitch, resonance, or dynamics, it begins with an internal choice.


Mental framing transforms delivery – How we think about a phrase influences how we vocalize it. Consider how different your voice sounds when you say, "I’m fine" while feeling frustrated versus when you truly mean it.


Every phrase begins before the first breath is taken—an act of willing the voice into existence.


Word, Tone, and Breath—Embodied Awareness in Communication

For six months, we’ve been exploring the physicality of voice—register, pitch, resonance, and dynamics. But these are not just technical aspects; they are tools for emotional agility.

When we speak or sing, we make countless unconscious choices about:

  • Pitch – Higher tones signal urgency, excitement, or questioning; lower tones convey authority, grounding, or calm.
  • Resonance – Chest voice adds warmth and depth, head voice creates lightness, and mixed resonance brings balance.
  • Dynamics – Softness invites intimacy; strength commands attention.
  • Pacing & Pauses – Silence is just as much a part of communication as sound.

These elements shape how our voice responds in real time. Whether in conversation, on stage, or leading a room, our ability to choose how we vocalize reflects emotional intelligence in action. This is embodied awareness—where speech and singing become not just habits, but intentional acts.


Bridging Six Months of Insights—A Vocal Awareness Checklist

Over the past 26 weeks, we’ve investigated:

  • Breath as the foundation (Insight #11)
  • Vowel shaping and articulation awareness (Insight #16)
  • Listening to yourself objectively (Insight #25)
  • Aligning tone with meaning (Insights #18 & #23)
  • The impact of mental framing on vocal delivery (Insight #15)

Now, let’s put it into practice. Before speaking or singing, ask yourself:

  • What is my intent?
  • What word(s) need emphasis? (Remember, emphasis often lengthens vowels.)
  • What pitch and resonance suit the message?
  • How does my breath shape my phrasing?
  • Am I listening to how I’m being received?

This is the integration point—the shift from thinking about voice to using it with awareness.


Final Thought: Willing the Voice into Being

The past six months have been about exploration, but now we move toward integration. Your voice is not just something you have—it’s something you shape. Whether in speech or song, the word gives structure, the tone gives meaning, and the breath gives life.


We don’t just use our voice. We will it into being.


Next week, we begin the next phase: applying these insights in deeper, practical ways.


What’s one insight from the past six months that has shifted how you use your voice? 


Let’s reflect and move forward together.


#DevelopingYourAuthenticVoice #VocalAwareness #ResonateWithPurpose #MindfulCommunication #EmbodiedVoice #EmotionalIntelligence #DYAVWithElias



Before the voice is heard, it is first willed into being. Behind the scenes at La Traviata, two of our fantastic colleagues, Jordi and Theresa ,synthesize weeks of preparation—aligning word, tone, and breath—to guide the cast and chorus toward their most expressive and intentional performance.

Note: if you’re viewing this on a mobile device and don’t see the ‘Subscribe for Updates’ option, try switching to the web version of the blog. You can do this by scrolling to the bottom of the page and clicking ‘View web version.’ This will allow you to easily subscribe and stay updated with more insights like this.

Wednesday, February 5, 2025

Weekly Insight #25: The Listener’s Perspective – Hearing Yourself Objectively

We hear ourselves differently than the world does. The voice we carry in our head—resonant, familiar, and full of intention—often sounds different when played back to us. That disconnect can be unsettling. But what if we learned to listen to ourselves the way others do? What if we could bridge the gap between what we think we’re communicating and how our voice is actually received?

This week, we explore how listening objectively can refine vocal delivery, deepen self-awareness, and bring clarity to our communication.

Why Your Voice Sounds Different to You

Most of us have had that moment—hearing ourselves on a recording and thinking, "Do I really sound like that?"

The answer is yes, but only to everyone else.

When we speak, sound travels to our ears through two pathways:

  1. Air conduction – The sound leaves our mouth and travels through the air. This is how others hear us.

  1. Bone conduction – Vibrations travel through our skull, creating a richer, deeper internal version of our voice.

Since we experience both at the same time, our own voice often seems warmer or fuller in our head than it does to the outside world. This is why recorded playback can be surprising—it strips away bone conduction, revealing only what others perceive.

For vocal clarity, the goal isn’t to sound different—it’s to align what we intend to communicate with how we are actually heard.

Listening to Yourself Without Judgment

The first step in refining vocal delivery is learning to listen without self-criticism. Many people react to their recorded voice with discomfort, focusing on what they don’t like rather than what they can learn. Instead, shift your perspective:

  • Does your voice match the emotion you intended?

  • Is your speech clear, or do certain words get lost?

  • Is there a difference between how you feel while speaking and how it actually sounds?

The voice is not a fixed entity—it’s adaptable. Listening back isn’t about correcting your voice, but about fine-tuning how effectively your voice reflects your message.

Capturing Your Voice in Everyday Moments

One of the best ways to hear your voice as it truly exists is to capture it in unscripted moments—when you’re not thinking about it.

We often adjust our speech when we know we’re being recorded, but natural, everyday speech is where we truly hear our vocal tendencies. Try this:

  1. Listen to voice messages you send

  • Many of us leave quick voice messages for friends or colleagues. Go back and listen—what patterns emerge?

  • Does your voice carry the same ease and energy you thought it did?

  • Are there places where clarity drops or tone shifts unexpectedly?

  1. Capture casual conversations

  • Record yourself leaving a spontaneous voicemail or narrating something to yourself as you would naturally speak.

  • Compare this to how you sound when you speak with intention—what’s different?

  1. Reflect on how you adjust in different settings

  • Do you speak differently when talking to a friend versus in a professional setting?

  • Does your tone shift when you’re excited, tired, or under pressure?

  • How does your breath and pace change when you’re more comfortable?

This kind of self-awareness builds a bridge between natural speech and intentional communication. The more we understand our own patterns, the more we can adjust without forcing or overthinking it.

A Simple Exercise: Hearing Yourself with Fresh Ears

  1. Choose a short phrase—perhaps something simple like *Today is a good day.*

  1. Record yourself saying it naturally, without overthinking.

  1. Play it back and listen for:

  • Does your voice sound the way you expected?

  • Are your words clear and easy to understand?

  • Does your tone match the meaning of the phrase?

Now, try adjusting one element at a time:

  1. Experiment with pitch:

  • Say the phrase once with a slightly higher voice, then with a lower voice.

  • What changes? Does one sound more engaged?

  1. Experiment with volume:

  • Say it softly, then say it louder.

  • Does the meaning shift? Does a louder voice sound more assertive?

  1. Experiment with pace:

  • Say it slowly, then try it at a faster speed.

  • How does the energy of the phrase feel different? Does a faster pace feel more conversational or rushed?

  1. Experiment with emphasis:

  • Try stressing different words in the phrase:

  • TODAY is a good day.

  • Today IS a good day.

  • Today is a GOOD day.

  • When you emphasize a word, you’re actually lengthening the vowel in that word.

  • In TODAY is a good day, the second vowel in today is lengthened, making it stand out.

  • In Today is a GOOD day, the vowel in good is slightly lengthened and given more breath pressure.

  • This is what gives speech a sense of rhythm and intentionality.

Listen back after each adjustment. Which version sounds closest to what you intended? Which version sounds most natural?

Bridging into the Half-Year Reflection

Over the past several months, we’ve explored breath, vowel shaping, intention, and adaptability. But none of these elements exist in isolation—each one affects how we are heard.

As we prepare for our six-month reflection next week, consider this:

  • What insights have shaped how you use your voice?

  • What patterns have you noticed in your own vocal delivery?

  • How does your voice align with your message?

Next week, we’ll take a step back and look at how these insights have built upon one another—not just in vocal technique, but in the way we listen, communicate, and express ourselves.

Final Thought

Your voice is not static. It is constantly shifting, shaped by breath, intent, and awareness. The more you listen—not just to others, but to yourself—the more you refine the art of being heard.

#DevelopingYourAuthenticVoice #Leadership #Resonance #EmotionalIntelligence #Teaching #Adaptability #DYAVWithElias #VocalLeadership #ResonateWithPurpose #MindfulCommunication #VoiceExercises


A moment of preparation before stepping on stage in La Traviata—a reminder that what we hear in our own voice is only part of the story. The real test is how it carries, how it lands, and how it resonates with others.

Note: if you’re viewing this on a mobile device and don’t see the ‘Subscribe for Updates’ option, try switching to the web version of the blog. You can do this by scrolling to the bottom of the page and clicking ‘View web version.’ This will allow you to easily subscribe and stay updated with more insights like this.

🎙️   Weekly Insight #33: Pitch, Presence, and the Power of Vocal Variation Your pitch tells people how to feel—sometimes before your words ...