Wednesday, May 28, 2025

 ðŸŽ™️ Weekly Insight #41: The Quiet Power of Giving the Benefit of the Doubt

A lesson from teaching—and from the detective's chair



Early in my teaching career, I worked with a senior lecturer who wasn’t tenured but had a steady, thoughtful way about her. One day, in a conversation that didn’t feel particularly momentous at the time, she said something I’ve remembered ever since:

“Give students the benefit of the doubt—every time you can.”

She wasn’t saying to ignore problems. She just believed that trust should be the starting point. That idea shaped how I approached not only teaching, but also conversations, feedback, and the way I listen to people when they speak.

Over the years, I noticed how often the opposite happened. Behind closed doors, some students were quietly labeled. Sometimes based on a single mistake. Sometimes for not fitting the mold. Publicly, we talked about inclusion. But in private conversations, you could hear who had already been written off.

The contradiction wasn’t theoretical. It showed up in how voices were treated—what was heard and what was dismissed.


The Stoic Thread: Understanding Before Judgment
Epictetus offers this reflection:

“If someone is mistaken, instruct them kindly and show them their error. If you can’t, blame yourself—or not even that.”
(Enchiridion 42)

It’s direct, but not rigid. It puts the responsibility on the speaker—not to dominate or correct, but to engage with care. And when care isn’t possible, the next move isn’t judgment. It’s restraint.

This reminds me of a coaching I had when I was a young apprentice artist at Lyric Opera of Chicago. I was working with the head chorus master on two arias—Provenza il mar from La Traviata and Largo al factotum from The Barber of Seville. At one point, we were going over a passage, and it was clear I wasn’t quite grasping what he was asking for.

In most settings like that, the usual response would be to keep repeating it until it matched the expectation—until you got the approving nod.
But instead of pushing me through rote repetition, he paused and said:

“Clearly you’re intelligent. If you’re not getting this, then I need to find a better way to explain it.”

There was no edge to it. No frustration. He didn’t assume I was being difficult or slow. He assumed it was his job to reframe what he was saying so I could meet him there.

That moment helped reshape how I understand communication—especially in situations where someone doesn’t respond the way we expect.
It’s not about lowering the bar. It’s about taking responsibility for clarity.
And clarity, when it comes to voice, changes everything.

Another line from Epictetus comes to mind:

“When someone does wrong, immediately ask yourself: ‘What mistake of mine most resembles this one?’”
(Discourses 1.6)

It doesn’t mean we excuse harm. It just asks us to remember we’ve all been there, in some way. And if we’re honest, that awareness can shape how we respond—with more calm, more care, and less performance.


What This Has to Do with Voice
Recently, I was part of a role-playing session where I was asked to play a detective.
Each person in the room had a character to portray. It was meant to be lighthearted, but what struck me was how quickly people were reduced to their assigned roles.
Assumptions were made based on how people looked, how they spoke, or what their titles suggested.

And even though we were just playing, you could feel people adjusting their voices. Some exaggerated to be heard. Others held back. A few got quiet altogether.

It reminded me of those faculty meetings. It reminded me of classrooms. And it reminded me how easily people change their voice—not because they’re trying to deceive anyone, but because they don’t feel fully seen.

That’s not just a performance issue. That’s a human issue.

And no, it’s not about being soft-spoken.
It’s not about extroversion or introversion either.
It’s about being clear—and deliberate—with your thoughts, your breath, and your presence.

In every setting—teaching, coaching, performance, or business—the voice reflects how we’re received.

Grace gives the voice space to come forward. 
That grace has to be modeled.

And it includes what Epictetus suggests: "forgive others over and over again, and then forgive yourself, too."

He reminds us that improvement is never linear. It's often two steps forward, one step back. If we expect perfection from others—or from ourselves—we tighten the space in which voice can emerge. The tension rises. And people speak less, not more.

That’s something I’ve had to learn as a teacher.
There were moments when I thought, I’ve said this clearly—why don’t they get it?
But what does frustration offer in that moment?
It certainly doesn’t lead to more clarity. And it rarely builds trust.

Epictetus says when someone doesn’t act the way you wish they would, you can “exercise the muscles of your good nature” by simply shrugging your shoulders and saying, Oh well.

Then let the moment go.

That doesn’t mean you never revisit the issue.
It just means you don’t carry it around like a brick.
You don’t speak from the weight of your disappointment.

That’s what my former colleague understood so well. She wasn’t naïve. She just knew that most of us are doing the best we can in that moment. And that teaching—and leading—with that in mind makes room for the kind of voice that isn't defensive or afraid.

It makes room for learning, for listening and for growth.


Try This
Before your next conversation, pause and ask:

“What would it sound like if I gave this person the benefit of the doubt?”
“What would shift if I gave myself that same grace?”

You may find the answer not in what you say, but in how you listen—and how your voice responds when you do.

Wednesday, May 21, 2025

 ðŸŽ§ Weekly Insight #40: Small Practices, Big Shifts — Building Vocal Presence in Daily Life

I recently had the opportunity to speak at BA & Beyond 2025—a gathering of professionals, facilitators, and change-makers from across Europe. The sessions followed a creative theme based on coffee—something close to my heart and perfectly aligned with the #NoBox spirit of the event. My keynote in Copenhagen was a lungo, meant to steep slowly and linger. A few days later, I led a ristretto session in Utrecht—a short, strong burst meant to spark awareness.



Later on, I read a comment that got me thinking.
It said, “I’ve never really paid attention to my voice—it’s just something that’s always been there. But now I realize how much it influences how people understand me, how I guide a room, and how I’m perceived when things get complex.”

That moment captured exactly what I aim to share:
Voice isn’t always about putting on a show.
It’s about showing up.
It’s how you hold space in a conversation, a meeting, or even a text message.


Why Voice Awareness Matters—Even in Everyday Life

We tend to think of voice as automatic.
But like any skill—like writing, listening, or focusing—it improves when we bring attention to it.

In the sessions I led, we didn’t do voice drills or public speaking exercises.
We tuned in.
We explored how breath shapes sound.
We asked: Where in the body do you feel your breath?
Is it high in your chest?
Low and wide across your back?
Are your shoulders lifting? Is your throat tightening?

These were small, practical checks—not dramatic techniques.
But they reveal patterns.

And when we understand our own patterns, we start to hear them in others too.
That’s where communication shifts.
Not because we sound more polished—but because we sound more present.


Try This: Selective Awareness for Voice

In my keynote, I shared a short video experiment called the “Selective Attention Test” (watch it here).
It shows how easily we miss what’s right in front of us when we’re focused on something else.
Voice is similar. We often don’t notice it until it breaks down or gets misunderstood.

But focused attention changes everything.

You don’t need a formal routine or hours of structured training.
You just need small, regular touchpoints—like a 12-minute practice.

Margaret Harshaw was my voice teacher, and I’ve mentioned her before as one of my biggest influences. One thing she taught has stuck with me: she believed it was better to do 12 minutes of focused practice than spend hours just going through the motions.

Over the years, I’ve put that 12-minute practice idea to use. What she taught was simple but powerful: start your day by waking up the body with a short 11- or 12-minute session. That might mean getting your breath involved, gently warming up the voice, or practicing something specific you plan to revisit later. Her approach went against the grain—back then, people would spend hours in practice rooms, repeating things endlessly without clear focus. I’ve done that too. It felt like work, but often it wasn’t productive. Her method taught me to practice with intention, not just time.


Practical Tools You Can Use Today

Here are three small ways to bring that idea into your daily life—whether or not you ever plan to step on a stage:

  1. Record yourself speaking.
    Try sending a short unscripted voice message to a friend. Then play it back.
    Ask: Is this what I meant to convey? Did my tone match my intent?

  2. Check in with your breath.
    Take 30 seconds before a meeting to feel your breath.
    Where is it? Shallow or deep? Can you ground it just a little more?

  3. Accept the awkwardness.
    Listening to yourself can feel cringey. I get it.
    I made an audio recording of my keynote and only got 10 minutes in before I wanted to turn it off.
    But I learned something useful. And that helped me grow.


It’s Not About Perfection

There’s a myth that good communication means no filler words, no pauses, no stumbles.
But the truth is—your voice doesn’t have to be flawless. It has to be you.

Filler words aren’t the enemy. They’re just signs you’re thinking.
If they take over your message, it’s worth adjusting.
But if they’re part of your natural rhythm, that’s okay too.

Voice isn’t something you perform—it’s something you bring with you.
It reflects where you are, what you care about, and how you're showing up in the moment.


When breath, tone, and intention align—even briefly—people notice.

They may not know exactly what changed, but something lands.
That’s the shift we’re looking for.

Like a good cup of coffee, the impact may seem subtle at first. 

But it lingers. It wakes something up.

#DevelopingYourAuthenticVoice
#VocalPresence #LeadershipCommunication #EmotionalIntelligence #VoiceTraining #Resonance #Authenticity #Clarity #Confidence #VoiceMatters

Wednesday, May 14, 2025

 ðŸŽ™️ Weekly Insight #39: When “YO!” Says It All

Last week, I stood in front of a room full of business analysts and asked them to shout.




Not present a chart. Not define a requirement. Just… shout. “YO!”

And they did.

What followed surprised me—not because the moment worked, but because of how deeply it landed.

Across the two sessions I offered in Copenhagen and Utrecht, participants described the experience in a range of ways: energizing, unexpected, joyful, grounding, even unforgettable. Some said it helped them reconnect with their breath and body in a way they hadn’t in years. Others shared that it shifted their perspective on communication—not just in terms of what they say, but how they say it. A few told me they’d never considered the voice as part of their professional toolkit before—but now, they wouldn’t leave it out.

Several reflected that the session helped them feel more empowered, more present, or more confident to speak with clarity and intention. Some were surprised to discover how physical their voice really is—how it lives in the diaphragm, rides on breath, and lands with presence. One person even described the transformation as “A1”—a little shorthand that says it all.

What struck me most was how deeply this idea resonated: that how we speak matters just as much as what we say. That our voice—our literal vibration in the world—is not something extra. It’s central. It’s how we carry authority, make connection, and invite clarity.

This is something I’ve explored in earlier reflections:

  • How tone and breath shape not only how others hear us, but how we feel ourselves (Weekly Insight #32)

  • How vocal intention is tied to emotional intelligence and leadership (Weekly Insight #34)

  • And how voice becomes a pillar, not a performance (Weekly Insight #35)

These sessions offered live proof of those ideas in action. The feedback wasn’t just kind—it was revealing. People left thinking more deliberately and with gratitude about this gift we all carry. The voice as a calling card. A bridge. A vibration that touches others in ways we often underestimate.

Much of what I shared comes directly through the quiet teachings of those who shaped my thinking: Margaret Harshaw, Giovanni Battista Lamperti, and Frank Sinatra. Though from different times and temperaments, they all taught—in their own way—that voice is not just technique. It’s intention, attention, and soul. I’m grateful to have carried a bit of their wisdom into the room that day.

And that’s what these insights are about.

Not performance. Not polish. But presence. Connection. And using the one instrument we all carry to reach others with clarity and intention.


If something in these reflections sparks something in you—or if you'd like to revisit what came before—you can find the full series at dyavwithelias.blogspot.com. Each post is a step toward exploring your authentic voice—whether you're onstage sharing your ideas, at home communicating, or showing up for your day at work. And if there’s a topic you’d like to explore more deeply, or a question about how these ideas show up in your own life or work, I’d love to hear it. Let’s keep shaping this conversation together.

elmconsultants.net@gmail.com

Until next time,
Keep breathing.
Keep listening.
And yes—don’t be afraid to shout “YO!”

#BABeyond25 @BA & Beyond #NoBox #AnalyseEverywhere #DevelopingYourAuthenticVoiceWithElias

Wednesday, May 7, 2025

🎙️ Weekly Insight #38: When Voice Becomes the Bridge

Yesterday in Denmark, I had the privilege to close the BA & Beyond 2025 conference with a keynote that wasn’t about performance—but about presence.

What stood out most?
How open the audience was to connecting voice to their daily work.

Business analysts, strategists, product owners—they live in a world of frameworks and systems. But what resonated most wasn’t another process.

It was the voice.



Voice as a Professional Tool

We hand out business cards, but we lead with our voice.
It’s your calling card before credentials, slides, or formal introductions.

Your voice gives immediate clues about how present you are, how grounded your message is—and whether you’re communicating or just delivering.

One person said afterward, “I didn’t realize how often I hold my breath before I speak.”
That’s where it starts.


Thought, Breath, and the Human Signal

We worked with this simple flow:

Intention → Breath → Tone → Connect

It’s not just for singers.

  • When you pause to breathe after each thought, you allow ideas to land.

  • When you rush to the end of a sentence, clarity gets lost.

  • When your tone is disconnected—over-rehearsed, unfocused, or mechanical—your message doesn’t land, no matter how strong the content.

Technique is a means toward expression—not the goal.
You can have gold to share in a workshop or keynote—but if the message isn’t clearly delivered, no one can benefit from it.

Voice gives shape to intention.
It makes the message not just heard, but felt.


Embodied Communication in Real Work

This wasn’t a session about speaking tricks.
It was about what shifts when your voice is connected to intention and breath.

That’s what makes voice a pillar of presence—in a meeting, during a negotiation, or in hallway conversations that shape decisions.

One participant and organizer told me the techniques and ideas I shared were surprisingly helpful and deeply connected to their work.
Several others shared that they were very tired by the end of the day—but that the keynote energized them, gave them a second wind, and left them with something they could use.

Another said they would never forget how much tone, intonation, and breath shape our impact as BAs—literally.

That’s always my intent:
To create content others can carry forward in their own voice.


Next Stop: Utrecht

I’ll speak briefly at ENERGIZE in the Netherlands.
It’s a short “ristretto” session, as they call it—a concentrated shot of connection to start the day.

We’ll focus on breath, body, and tone.
A way to ground yourself before the day gets moving.
A voice check-in before the next wave of change.


#DevelopingYourAuthenticVoiceWithElias #VoiceMatters #LeadershipPresence #BAandBeyond #MeetInMay #NoBox #ENERGIZE2025



Wednesday, April 30, 2025

 ðŸŽ™️ Weekly Insight #37: Voice, Resilience, and Embodying Intention

"Don’t explain your philosophy. Embody it."
— Epictetus

As I move closer to an important moment—an upcoming keynote where I’ll speak not just about voice and presence but through them—this line from Epictetus keeps echoing.

You can’t explain resilience into being.
You can’t describe authenticity into existence.
You have to embody it.

This is true in voice, and it’s true in life.


Mental Mentors

When I think about what it means to embody rather than explain, I find myself reflecting on the mentors who still guide me—not through slogans or formulas, but through lived example.

  • Margaret Harshaw taught that singing is 95% mental—you must will the voice to do what you wish it to do. It’s not about brute force. It’s about deep internal direction.

  • Frank Sinatra showed that when you work deeply with lyrics, embody their meaning, and practice your interpretation, you create something singular—a performance that feels inevitable, natural, and alive.

  • Giovanni Battista Lamperti reminded singers that tone, voice, and breath are inseparable—like children holding hands; if one lets go, the connection breaks.

These aren’t just lessons I’ve memorized.
They’ve become a part of how I breathe, how I begin sound, how I choose to show up.

We don’t carry forward their wisdom by quoting them.
We carry it forward when we live it.




How Voice Reflects Inner Alignment

In vocal work, there’s a natural flow that mirrors the idea of embodiment:

Intention → Breath → Tone → Connect

  • Intention forms first, often invisibly. It’s the thought, the desire, the message. Intention acts like an internal GPS—it sets direction before a single word is spoken.

  • Breath is the first visible (and felt) expression of that intention.

  • Tone arises from breath, shaping sound into meaning.

  • Connection is the final movement—the outward arc where presence meets presence.

Intention organizes breath.
Breath powers tone.
Tone carries connection.

This isn’t just a technique. It’s a way of being.


Voice as a Form of Resilience

Resilience isn’t about bracing harder.
It’s about returning—to breath, to body, to self.

In moments of pressure, the fastest way back to resilience is not through willpower alone.
It’s through awareness of breath.
Through alignment of intention.
Through allowing sound to emerge naturally rather than pushing it.

Voice gives us a direct, living map of how we are showing up—in ourselves and with others.


Moving Toward Embodiment

Next week, I’ll have the opportunity to share these ideas aloud—not as concepts, but as living experience.
Not to explain them, but to embody them.

Until then, I invite you to notice:

  • How you intend before you speak.

  • How your breath carries that intention.

  • How your tone shapes connection.

You don’t have to explain your voice.
You just have to live it.


#DevelopingYourAuthenticVoiceWithElias #VoiceMatters #EmotionalIntelligence #LeadershipPresence #BAandBeyond #MeetInMay #NoBox

Wednesday, April 23, 2025

🎙️ Weekly Insight #36: How You Start Changes Everything

Last week we explored voice as a pillar—something that doesn't just carry your message but carries you. This week, we’re zooming in on the moment that structure begins: the onset.

It’s easy to think of sound as something we just make. But when you really pay attention, you'll notice: the way you start speaking often mirrors the way you show up emotionally. And that's where today’s practice begins.


What Is Onset?

In voice work, onset refers to the start of sound—the “attack,” to borrow a musical term. It’s the moment your breath becomes tone.

There are three commonly discussed onset types:

  • Aspirate onset (soft, breathy):
    A gentle start where breath escapes before sound. Example: “happle” instead of “apple.”

  • Glottal onset (hard, percussive):
    A pop of sound created by the vocal folds coming together tightly. Example: saying “’Elias” with a vocal catch before the E.

  • Balanced onset (coordinated, clean):
    Breath and tone meet in sync—no extra air, no force. It’s the most sustainable for both speech and singing. In Italian, this is linked to appoggio, meaning support or pillar—a perfect architectural metaphor.


Onset and Emotional Intelligence

These vocal starts reflect and shape more than just sound. They tie directly into the five pillars of emotional intelligence:

  • Self-awareness: Do you notice how you usually begin speaking?

  • Self-regulation: Can you adjust how you start to fit the moment?

  • Motivation: Does your vocal energy reflect your intent?

  • Empathy: Can you soften or center your tone to connect with others?

  • Social skill: Are you adapting your vocal choices as needed?

Your voice begins before the sound—with breath. That intake of air already carries intention. This is especially important in aspirate onsets, which require more airflow.


Symbols as Sound Anchors

Whether we use IPA or familiar spelling cues like "ee" or "oh," the point is the same:

We’re giving ourselves a visual tool to recognize and reproduce sounds we already know—but might not yet know how to describe or train.

These symbols create consistency of concept—a shared framework that helps us stay grounded in exercises and real-world communication.

For example, the IPA symbol [i] (the “ee” sound) appears differently depending on the language:

  • English: “ee” → see, deep

  • German: “ie” → Lieder, Liebe

  • Italian: “i” → vino, milano

  • French: “î” → Ã®le, rire

That’s the power of IPA: it transcends language-specific spelling. But everyday phonetic cues—what some call “layman’s phonetics” or “practical spellings”—give us a way to engage more easily, especially when teaching or learning across different levels.


Try It: Onset Exercise with Pure Vowels

Let’s work with two pure vowels:

  • [o] as in go → “oh”

  • [i] as in see → “ee”

Now try each vowel with the three types of onset:

  1. Aspirate (add an “h” in front)

    • ho ho ho [ho ho ho]

    • hee hee hee [hi hi hi]
      Think: breathy, light, like Santa or laughter.

  2. Glottal (start with a vocal pop)

    • ’o ’o ’o [Ê”o Ê”o Ê”o]

    • ’e ’e ’e [Ê”i Ê”i Ê”i]
      Think: direct, punchy, sometimes intense.

  3. Balanced (no breathiness or throat catch)

    • o o o [o o o]

    • e e e [i i i]
      Think: smooth, centered, supported.

After each round, pause. Notice how it felt. Did your breath change? Did your intention shift?

Link here: Elias demonstrates the onset exercise.


Why This Matters

These aren’t just vocal tricks. They’re ways to get underneath your habits and start making conscious choices.

When you can name what you’re doing, you can begin to change how you sound, how you connect—and how you carry yourself.

Because the way you start… changes everything that follows.


Next Week: We’ll explore how to stay vocally resilient when the pressure’s on. Whether it’s a big moment, a long day, or a tough conversation, your voice can be a source of strength. I’ll share practical techniques for keeping it clear, steady, and strong.

Until then—listen to how you start.

Wednesday, April 16, 2025

 

🎙️ Weekly Insight #35: When Voice Becomes a Pillar

Last week, we ended with a question: what happens when breath becomes voice?
When the moment is supported—literally—and something deeper comes through?

That’s where I want to begin today.

There’s a quote I’ve been reflecting on as I prepare for my keynote on May 6. It’s from Victor Hugo:

“Les voyelles et les consonnes portent l'esprit humain comme une charpente porte un édifice.”
“Vowels and consonants carry the human spirit like a framework supports a building.”

Voice as framework. Voice as structure. As something that holds.

It’s not just poetic. It’s technical. And it’s true.


What Holds the Voice Up

We often talk about voice in expressive or artistic terms. But underneath the beauty, there’s design.
Just like a building, voice has a foundation and a series of load-bearing elements. One of those essential elements is onset—the very beginning of sound.

In voice pedagogy, onset refers to how sound starts. Think of it like the “attack” in music. The first moment something vibrates into sound. The tone before the tone.

There are three primary types of onset commonly discussed in vocal training:

  1. Aspirate (or soft) onset
    This one begins with air. Imagine putting an ‘H’ in front of a word—like saying “happle” instead of “apple.”
    It sounds breathy, even gentle. And while it can be expressive, it uses a lot of air. Sometimes that’s useful for building awareness of breath control, but it can also make the voice feel unfocused or under-supported.

  2. Glottal (or hard) onset
    This comes from the throat—specifically the glottis. It’s a sudden, percussive start. Think of it as a vocal “kickoff.”
    It’s helpful for clarity, especially in languages that begin words with vowels. For example, my name is Elias. Without a clear glottal onset, it can be misheard as Malias. That little catch in the throat makes all the difference.

  3. Balanced onset
    This is the coordinated start we often aim for in both speech and song. It’s where breath pressure and vocal fold closure are in sync—neither breathy nor harsh.
    In Italian, this is described with the word appoggio, which translates to support or pillar. It’s an architectural term—one that fits well here.
    This is what gives a voice clarity, presence, and sustainability.


Bel Canto and the Art of Connection

In classical singing, this balance is central to the bel canto tradition—literally “beautiful singing.” It emphasizes a seamless legato line that connects one vowel to the next.

Now, most of us don’t need to sound like opera singers at work. But understanding how a balanced onset feels gives you more control over how your voice functions in everyday communication.

It’s about knowing the difference between pushing and releasing. Between forcing and allowing. And that awareness gives you options.


Why This Matters Offstage

This brings us to emotional intelligence.

The five pillars—self-awareness, self-regulation, motivation, empathy, and social skill—aren’t just concepts. They show up in how we speak.

  • Self-awareness: Do you know how your voice enters a room?

  • Self-regulation: Can you shift your tone when things get tense?

  • Motivation: Do you bring energy into what you say without sounding forced?

  • Empathy: Can your tone soften to create space for others?

  • Social skill: Do you use your voice with timing and adaptability?

Each of these pillars is supported by breath.
Each is expressed through sound.
Each depends on your ability to start with presence.


Voice Is Never Just Sound

Your voice is not just your sound.
It’s your presence.
It’s your clarity.
It’s your emotional signal.
It’s the structure—the pillar—that helps carry your message across.

Next week, we’ll break this down into something you can practice.

We’ll look at how different onsets feel in the body, and how they affect the way your message lands. We may even include a short video you can follow along with.

Because once you become aware of how you start, you can begin to change everything that follows.






Weekly Voice Insights #102 — Who Are You Performing For? Connecting with the audience during a live Foster 200: American Jukebox performan...